Tag Archives: Tom Hardy

Dunkirk (2017) – a brief appraisal.

Dunkirk (2017) is a new kind of war movie.

maxresdefault

There are no gratuitous blood-and-guts sequences, nor are there any overtly saccharine attempts to sentimentalise the drama (think Spielberg). It was wound like a spring, and shot with such precision and clarity of vision. The film is a non-linear impressionist snapshot of the evacuation, and it was so refreshing to see a picture made of that great escape bereft of nonsensical German accents or extended scenes of generals and statesmen at conference tables. It’s the anti-genre constraints war movie, more akin to a peak Michael Mann picture – Heat (1995), The Insider (1999) – than your generic battle flick.

Operation Dynamo - men wait in an orderly fashion for their turn to be rescued.

Fear predominates – fear of being smothered by a relentless enemy, this claustrophobia reflected in sometimes mere facial expression and the economy with which Nolan employs the classic close up. And in small acts of heroism characters occasionally perform, the film explodes with such unexpected emotion that it occasionally reaches the cinematic heights of the transcendental. The last twenty minutes of Dunkirk (2017) are among some of the most prolongedly intense in modern cinema, hope (and home) the against-all-odds outcome. Masterpiece.

Further reading/viewing:

http://www.historytoday.com/patrick-wilson/dunkirk-victory-or-defeat

https://www.theguardian.com/film/2017/jul/23/dunkirk-review-terrifyingly-immersive-christopher-nolan

Advertisements
Tagged , , , , , , , ,

Locke (2013) – one man *in* his car.

Locke (2013) is a high concept movie without the Bayhem explosions, like Phone Booth (2002) in its situational drama but set in our everyday more altogether maudlin and depressing British existence ….

bf9b3760-a564-11e3-9a2c-cd3d95679329_locke_trailer_gs

One man, one car, one mobile phone with hands-free kit, one 90-minute journey. Seldom do we see a ‘travel’ movie in which the visual exterior landscape is totally irrelevant to the protagonist’s crumbling world. It’s a film as much about sound as the image. And it makes a concrete pour seem quite the arresting topic. A must see.

 

Tagged , , ,