Hard Eight (1996).

Philip Baker Hall was around forever, starring in seemingly everything, the quintessential character actor, every eclipse given the opportunity to do something more than the dependable authority figure. You’ve got Seinfeld’s Library Cop and the jaded but wise Sydney in Hard Eight (1996) among the background roles, and this film would be worth it just for him alone but there are more treats (just check the supporting cast) in this first work from Paul Thomas Anderson.

Even for a debut picture, this shows his mastery of style – his films are never dull to look at, demand your attention, and there’s a reason behind every dazzling shot. And it’s the consistency that’s the key. You leave with an indelible impression of the narrative. The lad is the Scorsese of the San Fernando Valley.